Music for Summer Evening

  In early summer, when 

  the immersive floating vastness of evening  

  engages Kolkata taking the city in slow stages

  and delivers the first darkness 

  around wayside knots of trees —   

  when the cuckoo’s flickering calls

  still frame the blended interim

  between Kolkata’s semblance of fugitive spring 

  and the onset of summer like a freshet–  

 

Plodding down Southern Avenue to where

the statue of Hemanta Mukherjee stands– 

(my preferred pause, mooring and anchorage) 

through the gathering dusk

that rides on the wings of noisy crows

arriving back home in the darkening trees before nightfall,

I seem to drift into an enchanted melodious sphere 

of the six seasons entwined by songs.  

 

The restive active matrix of rumbling traffic,

urban priorities and the fabled avenue                          

seems to recede into a state of time arrested suspended 

while I, a decrepit restless wraith looking for my constituent, nutrient roots 

across the tragic-comic wilderness of seventy years

sunk in the Tagore songs that Mukherjee sang into radiant being 

(songs of spring and summer,

  verdant baptismal preserver rain 

  and serene rich gold bright autumn lambent towards sunset), 

seem to hear  

earth-air-water-fire and the seasons commingling—

breathing forth once more a magnificent turbulence

chieftained by the silent liquid songs– 

seem to hear that imperishable voice rising,  

loading each word each note with renewing ore 

                      in my deep heart’s core.

 

Kolkata

April-May 2022

 

Date: November 9, 2022

Publisher : Sabiha Huq, Professor of English, Khulna University, Bangladesh

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